Tag: spring2017

Asia

Mao Zedong, The Cultural Revolution, and Propaganda: The Evolution of Chinese Theater Under the Communist Party

OVERVIEW: Rather than use stage performance to critically reflect on social conditions, Mao Zedong manipulated theatre into corrupt propaganda. This page will delve into the theatrical institutions influenced by the Communist regime, as well as the practices and performances in its peripheries. “Mao Zedong, The Cultural Revolution, and Propaganda…” Introduction:Continue reading

Asia

Yueju (Shaoxing Opera): A Female Opera

OVERVIEW: Yueju (Shaoxing Opera) one of the most popular traditional Chinese opera forms. Originated in the 20th century in Shaoxing, it prospered in Shanghai and spread quickly throughout China. Yueju adopts an all-female cast and reflects female aesthetics and pronounced female narratives and voices in the socio-political environment around early PRC.Continue reading